top of page

Trailer Exclusive: Plus Episode 2 of Tubi Series Trayizon by Amber Nicolle Review!

  • Writer: saveurmedia
    saveurmedia
  • 6 days ago
  • 9 min read

Updated: 3 days ago





I missed the Los Angeles premiere of Trayizon due to my obligations here in London, but, I was lucky enough to get my hands on an exclusive rough cut of episode two before it officially releases on Tubi U.S. and I think viewers will be on the edge of their seats when they see what the Douroux family is bringing this episode. For those of you unfamiliar with Trayizon, let's backtrack… 


Trayizon is a dramatic series by actress and creator Ms. Amber Nicolle of ValleyGurl Productions, loosely based on her fathers life. Nicolle poses the question- in an alternate universe what would it might have been like if she was the inheritor of her fathers legacy as a drug lord with the character Dawn Douroux.

In the seasons first episode we are introduced to the Douroux family, seasoned actor Mark E. Ridley portrays her father Lucas Douroux, Brittney Ayona Clemons plays her younger sister Leah Douroux and her brother, Lorenzo Douroux is played by actor, writer of the second episode and one of the producers of the series Richardson Pierre. 


Group of diverse people with serious expressions, one holding a gun. Night city backdrop. Text: "Trayizon" and "Who can you trust...".
Cast of Trayizon
[EPISODE 1 SPOILER] When we first meet the Douroux family Dawn is summoned by her father to sign documents. Unbeknownst to her, these documents give her power of attorney over her fathers assets and the business. Soon after, while incarcerated, Lucas Douroux is murdered and the crown is placed on Dawn. Dawn must figure out who murdered her father all whilst dealing with her own traumas and her fathers spirit trying to warn her. 

It is amazing that Nicolle has made the Douroux family Haitian Creoles and uses the language as well as the Spanish language to also create this cultural divide we see between Haiti and the Dominican Republic. While some people prefer segregation, Gilbert's character is actually in love with the rival mafia family, The Estrada’s.

The series encompasses multiple ethnic cultures, languages and features Dawn Douroux in a lesbian relationship with Sanaii Estrada brought to life by actress Shiah Luna. All of this and still bringing the same mafia crime drama we’ve loved since The Godfather to the forefront. 


In episode 2 we get more insight into the relationship dynamics between Dawn and her siblings as well as between Dawn and her girlfriend Sanaii. Maikael Rossi who plays the head of the Estrada Mafia family along with Mark E. Ridley both bring about dynamic performances expected of seasoned actors. Geraldine Moreno who plays Rosario Estrada the sister to Sanaii and an ex lover of Dawn’s along with actress Brittney Ayona Clemons both enter their scenes with a bang and allows viewers to anticipate their B-stories in future episodes. Richardson Pierre is both dynamic and hot in this episode, with he and creator Ms. Amber Nicolle heating up the screen. The two portray rival siblings phenomenally, forcing viewers to wonder who really is the head of the Douroux family and to what extent will they go to keep the crown?


Shia Luna brings a reservedness to her character Sanaii whilst David Ty Reza reminds viewers of the traditional ball-busting character in every mafia movie who has great sex appeal and a hot head. His character portrayal reminiscent of Joe Pesci in the 1990 mafia film Goodfellas. Ready to pop off at any given moment. The actors beautifully weave together either knowing when to take the lead in a scene or to pull back and allow the others to shine. 


Now because I saw the unedited version I won’t report on anything that may be changed or cut such as scenes or music scoring. I can say viewers are in for a treat with this one in more ways than one. What I would like to see for future episodes is more structure between scenes. It seems as though sometimes the A story and the B story are lost with all other storylines. I’m also anticipating the story arcs between the supporting actors who all light up the screen when they enter their scenes. 


Saveur Media had a few questions for the cast and we would like to share their responses with you:



Woman with red hair holding a gold gun, tattooed arm visible. City skyline backdrop with smoke. Text: "TRAYIZON" and "DAWN DOUROUX" in gold.
Ms. Amber Nicolle

Q for Amber Nicolle) Please explain the backstory of how and why you created Trayizon? I’m told it’s loosely based on your father?

A) Acting and being in front of the camera has always been a passion of mine, right alongside my love for sports. But I’ve also always wanted more — to be behind the scenes, to create opportunities not just for myself, but for others who believe in the project and the vision. Breaking into this industry isn’t easy. 

I’ve often been overlooked — seen as nothing more than a chick with multiple tattoos, misunderstood before I’ve even had the chance to show what I’m capable of. Add to that the fact that I never graduated from a filmmaking program, and you can imagine how easy it would’ve been to give up. But I didn’t. I made the decision to bet on myself — to stop waiting for the next role and start creating the roles, the stories, and the spaces I wanted to see. I put my mind to this, and with the guidance of some amazing mentors, I’ve learned, grown, and stayed committed. 

This journey is deeply personal. It’s about honouring my father, pushing past every label and doubt placed on me, and proving that I can do more than just show up — I can lead, I can build, and I can thrive. I’m proud of how far I’ve come, and I’m even more excited about where I’m going. I’m here to make a name for myself — not just as an actor, but as a creator, a storyteller, and a force in this industry.


A person in a lace shirt stares intensely. "TRAYIZON," "LORENZO DOUROUX" in bold gold text over a dark city skyline. Mysterious, bold vibe.
Richardson Pierre

Q for Richardson Pierre) What made you decide to get behind the scenes with Trayizon? You went from actor to writer and producer. Also, in Episode 2 you heat up a few of your scenes, one in particular stands out. What was the decision to drop trou? 

A) Stepping behind the scenes with Trayizon happened organically. Initially, I saw myself strictly as an actor, but sometimes purpose aligns with opportunity when you least expect it, the choice is often not yours. When the opportunity came to contribute more deeply—through writing and producing—I felt a strong pull. It wasn’t just about expanding roles, but about aligning with something bigger: telling a story that represents my culture, our experiences, and our voices in an authentic way. That’s something I couldn’t walk away from. Now… about Episode 2 and the decision to ahem “drop the trousers”—that was all about serving the story (I promise!). Trayizon lives in a bold, passionate world. It’s a show about power, crime, family, and desire, told through a Haitian and Latin American lens. That comes with spice—and sometimes a little skin. I wanted the scene to feel real and keep our audience on their toes. And hey, if the people tune in for the plot and the peach, who am I to deny them a little extra entertainment?


Woman in black jacket gazing sideways, with a cityscape in the smoky, dark background. Text reads "TRAYIZON" on top and "SANAI I ESTRADA" below.
Shiah Luna

Q for Shiah Luna) How did you first approach the role of Sanaii?

A) When I first approached the role of Sanaii, I knew I had to peel back a lot of layers—she’s not someone you can play on the surface. She’s navigating betrayal, power struggles, and deep wounds tied to family and legacy, so I started by grounding her in truth. I asked myself: What has she lost? What is she willing to risk to win? I built her from the inside out—her silence, her fire, her calculated choices. I also wanted to make sure Sanaii never fell into a stereotype. She’s strong, but not just for the sake of being strong. She’s vulnerable in ways she doesn’t always show. Especially with her relationship with Dawn. It was important to me that every move she makes is rooted in survival and legacy, not just drama. That’s what makes her dangerous—and human. 


Man in a black suit with a necklace, serious expression. Smoky cityscape backdrop. Text: "TRAYIZON" and "LUCAS DOUROUX" in gold.
Mark E. Ridley

Q for Mark E. Ridley) You’re dynamic in every scene. How long have you been acting and what method do you prefer?

A) I've been a SAG actor [for] over 40 years..My method of studies varies.But I'm  more closely aligned with the Meisner Technique..living in the moment and the power of adapting to the scene and surroundings. 


Man in black hat and leather jacket against a dark city skyline. Text above reads "Trayizon" and below "Santiago Estrada" in bold gold.
David Ty Reza

Q for David Ty Reza) Where did you find inspiration for portraying Santiago Estrada? 

A) I found the inspiration to portray Santiago Estrada from all those old narco movies my dad watched when I was a kid. The characters in those films were ruthless but still loyal and cared about their family. That is Santiago Estrada ruthless, loyal to a fault, loves his family, and would do anything for his family.


Woman with long hair in black top poses confidently against a dark cityscape background. Gold text reads "TRAYIZON" and "LEAH DOUROUX."
Brittney Ayona Clemons

Q for Brittney Ayona Clemons) What drew you to your character, Leah Douroux and how did you prepare to bring her to life?

A) What drew me to the character of Leah Douroux was her quiet strength and the complexity of her emotional world. She’s a woman who’s experienced pain, betrayal, and disillusionment, but somehow she still moves with grace, heart, and resilience. I was especially drawn to how layered she is—not just in what she says, but in what she withholds. Leah carries a lot in silence, and portraying that without words was both a challenge and a gift as an actress.

To prepare for Leah, I had to ground myself in her backstory and really imagine what it meant to be a woman navigating love, loss, and loyalty in a world that often demands she suppress her truth to protect others. I created a journal in her voice, exploring her relationship with Trayizon, her fears, and her private thoughts that never made it to screen. I also built out a playlist that reflected her emotional temperature—songs that spoke to her vulnerability, sensuality, and power.

Spiritually, I tapped into women I’ve known—strong, intuitive, protective, yet deeply human. I also pulled from my own emotional experiences, especially moments where I had to stand tall when I felt like collapsing. Leah demanded that I strip away performance and be still, honest, and present in every frame. Ultimately, telling Leah’s story was about honouring all women who’ve loved deeply but had to learn to love themselves more. She’s not perfect, but she’s real—and that’s what made playing her so meaningful for me.


Woman in black dress poses confidently against city skyline at night. Gold text reads "Trayizon" and "Rosario Estrada" below.
Geraldine Moreno

Q for Geraldine Moreno) Do you think Rosario Estrada will tell her sister about her relationship with Dawn?

A) I don’t think Rosario’s ready to tell her sister just yet… but everyone has a breaking point. And when it comes, it’s going to change everything.


Bearded man in a black suit stands confidently against a smoky city skyline. Text "Trayizon" above, "Matias Estrada" below in bold gold.
Mikael Rossi

Q for Mikael Rossi) You bring a dynamic performance to the series playing Matias Estrada, where would you like to see the Estrada family headed in the series?

A) I can see the Estrada family beginning to show some cracks, torn between Matias Estrada’s over-controlling nature and his son Santiago’s desire to modernise the family business. Santiago’s push into new ventures like crypto-based money laundering represents a shift toward the future, but he lacks the caution and experience required to navigate such a risky world. That tension between tradition and innovation could be what ultimately unravels them.



Man with curly hair and beard in dark outfit, stands against a city skyline backdrop. Text reads "TRAYIZ" above and "MANOLO ESTRADA" below.
Marcelo Rodriguez

Q for Marcelo Rodriguez) Is it true Trayizon is your first acting gig? How do you feel about that and what have you learned working on set of the series?

A) Having Trayizon as my first real acting project has definitely been a learning experience. I’ve been learning everything — from how a set operates to seeing all the moving parts that go into bringing a scene to life, far beyond just my role. Taking all of that into account helped me find a place where I could feel more natural and grounded in my performance. 

One of the biggest lessons I’ve learned is that not everything will go exactly as written in the script. I had to learn to adapt quickly. There were times I rehearsed things a certain way — not just my lines, but also my movements — based on how I thought the set or scene would play out. When things changed, as they often do, I found myself struggling because I was locked into one way of doing things. It was my cast-mates who really helped me loosen up, be more fluid, and make stronger, more natural choices in the moment — and that growth helped me tremendously. 

As someone new to acting on camera, I was definitely self-conscious at first — about body positioning, presence, everything. But being surrounded by talented actors and actresses, along with strong direction, really put me in a space where I felt challenged to improve and inspired to learn from those with more experience. That support made a huge difference for me during the filming of these last two episodes. I can honestly say I’ve seen growth in my acting, and I’m excited to keep progressing and see where Trayizon goes from here.

Comments


Top Stories

Saveur delivers a captivating mix of news, media, and short stories to keep you informed and entertained. Join us on this journey of discovery and engagement.

  • QjJngnVB_400x400
  • Instagram

© 2025 by Saveur. All rights reserved.

bottom of page